🎰 Clams Casino - 32 Levels (, Vinyl) | Discogs

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32 Levels is the debut studio album by American record producer Clams Casino. It was released on July 15, , by Columbia Records. The album contains.


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Cause you are beautiful (beautiful). Yes, it's true. Baby, yes it's true. Cause you are beautiful. See All Lyrics. Song Credits. Associated Performer: Clams Casino.


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Listen to Be Somebody (Instrumental) by Clams Casino - 32 Levels (Deluxe). Deezer: free music streaming. Discover more than 56 million tracks, create your.


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While his instrumentals and rap collabos still mesmerize, the gauzy pop of the Kelela-enriched “A Breath Away” proves most memorable. SONG. TIME. Level 1.


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I like the quality of it, the lo-fi stuff, kind of like what I do. So I sent it to his manager. Colors, green, stuff like that. I think some of his boys showed him stuff on my mixtape, an EP or something, and he liked it a lot. I started making beats just for fun about ten years ago when I was a freshman in high school. Some bad things happen, some good things happen. But not most of them. Not yet. When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. Did you feel like you could start doing different things production-wise? I can work in physical therapy if I wanted to. But every time I sit down, I probably start the beginning of three beats, but not finish them. I was sending stuff to everybody and I sent him that beat that Havoc ended up rapping on. Yeah, every song I did with Lil B. Yeah, the instrumental. His name was Nyce. I think was when I started going online. I usually use them. And you actually ended up producing a track for Havoc and Mobb Deep. Even before I did, there was some big song that sampled her, so people were doing it before me. Is that frustrating that you make this beat and it just stops being yours? I just finished school this spring. I first started listening to him when he was in a group called the Pack. That was pretty cool, a complete surprise. Tell us a little about your background and upbringing for those who might not know. People making remakes and stuff. Definitely, for Wu-Tang, definitely the beats 'cause I had no idea what they were talking about. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. But right now is probably a good time to pursue the music thing because last week you had some beats on the number-one album in America. What is he doing? I always liked to mess around with a lot of instruments. Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff. He was putting out so much stuff, just out there, really crazy stuff. Is that weird now that the roles are reversed? But I got into the process of doing that and I got used to that, following him really close every time he dropped it. Is that changing as your career progresses? It takes me a long time to finish them.{/INSERTKEYS}{/PARAGRAPH} If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. After my friend told me about her, I went and looked for some on my own and found some other stuff from her. Right now I just use software. But just the overall mood, the vibe of it, is kind of creepy and haunting. Actually, he kinda just shouted me out on Twitter. When you throw stuff out online, anything can happen. I liked the stuff he did before a lot. What is this? I had it laying around. Right around the time I started making beats this is what I was listening to. For the past probably couple of years, just software and a laptop. Pretty hardcore gangsta rap. I just wanna see where I can go with it. People were talking about it for so long. The first stuff he was doing on my beats, just freestyling really ridiculous stuff. So I usually end up making a lot of stuff out of the same sample. I used to use samplers and hardware stuff, but right now, I just use the laptop. He loved it and here it is. Not that one. From there, that was all I was into. I started listening to hip-hop when I was about 12, and then I was only listening to hip-hop. Like all freestyles and putting out five or six songs a day. A lot of people have said that. Yet, at least. I forget the name of it. Yeah, that was crazy how that happened. It was just something I always liked to do. Is that exciting? Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. {PARAGRAPH}{INSERTKEYS}Good afternoon. Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level? I started hearing them around five years ago. My friend sent me another one of her songs. Everybody give it up for Clams Casino. Were there any occasions when you had to chase down credits or chase down money? I just always liked that beat. I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. I thought it was so funny and I kept sending him stuff and it just happened from there. He flipped. Growing up, I played drums and stuff. Mostly a lot of New York stuff. Hopefully, something really good happens like that. Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. They were doing straight, uptempo, really fast stuff, kinda like hyphy. How do you feel about that? Is that liberating as a producer to see someone doing such wild music? I was just trying to see what else I could do with it. I used to. It just messes me up, so I try not to really think about that. I get used to it, though, just the whole process. I usually take one source. I never sent it to him and I was sending him a bunch of stuff before that. The stuff I make myself I try to sound like that. Then I sent it to him and he freaked out. So he shouted me out on Twitter. It seems it was an interesting time for the way hip-hop beats have exchanged hands and moved around. The main thing that I liked was the vocal sample. This is one of my favorite songs. I made it for someone else, probably a few months before I sent it to Lil B. Yeah, it is a little bit. You mean just searching with a search engine and stuff?